約 6,925,501 件
https://w.atwiki.jp/omnipedia/pages/73.html
原文: 7-15-1. Finish the mission. Primary Targets remain active. Stop. Stop it. End it. Hang in there. Hold on. You’re alright. You re going to be alright. I need a medic over here! Stop! What are you doing? We d heard the rumors. We d be changing the World, they said. After hitting OZ,Team experienced contained direct action with local combine 54 Immortals - Oelta-Romeo-Alpha-Golf-Oscar-Victor-India-Charlie-Hotel-Kilo-Romeo-Alpha-Victor-Charlie-Hotel-Echo-November-Kilo-Oscar-Sierra-Tango-Echo-India-November-Echo-Romeo-Tango-Hotel-Echo-Sierra-Echo-Mike-Echo-November-Mike-Uniform-Sierra-Tango-Oelta-India-Echo. Team was forced to initiate Secondary Protocol Echo Two, full records of the project were expunged, this was Vengeance. Reboot in Progress. Authorization Required. 2-19-7-25. Corvus. Hendricks. Kane. Zurich. Diaz. Hall. Maretti. Cairo. Stone. Ramirez. Conrad. Fierro. Singapore. Taylor. Taylor. Taylor. Ethiopia. Get your hands off me! Get off me! You need to do more, you can’t give up now!#$gffgm H32b.=s2981,fffC -performing a variety of physical coercion methods approved with accordance of Standard assistance of the NRC, Tango Stone was extracted to a War is all I know. Lima-Echo-Tango-Mike-Echo-Golf-Oscar-Yankee-Oscar-Uniform-Mike-Uniform-Sierra-Tango- lima-Echo-Tango-Mike-Echo-Golf-Oscar. Come on. wake up. You can do it, open your eyes. Don’t you think it s time you woke up? I am committed to this. Taylor out. Secondary was WASF, led by CO Hendricks leading a new unit. We ve fitted the newest subject with their DNI and are prepping them for surgery - as a way of initiating him into the program is code for covert Ops if I’ve ever heard it. 6-13-6. What happened? Day. Day. Day. What Day? Hang on! Get to the APC, get outta there! Hang tight, you’re not dying today. Encrypjon Unknown. Cannot verify. Overriding Protocol Systems Failure. Please enter proper authorization clearance. This isn’t right; this wasn’t how it was supposed to be. An error? What do you mean there s an error? Can t you see they’re still alive?? Can’t you see they re still breathing! I don’t care what the encryption is! Do it! Dd it nqWi lndia-Sierra-Echo-Echo-lndia-Tango-November-Os-car-Whiskey. India-Sierra-Echo-Echo-Tango-Hotel-Echo-Foxtrot-Romeo-Oscar-Zulu-Echo-November-Foxtrot-Oscar-Romeo-Echo-Sierra-Tango. We was unaware of Tangos 10s until confirmed by LND Kane the team was investigating a disturbance at Coalescence Corporation Singapore. Tango Javier Ramirez was located in the process of uploading additional information, foe lorig -ferm impact of wfiat this means for Singapore arid foe Quarantine Zo rie is rio t assessafo/e at fois time . It is unclear whether Stone’s team was directly involved in the attack - t*43iillll222 ftftft.p//+=vBnkoyoslx.vpoy2411rolyat seemed convinced the world had a right to know what had happened. Kane may be influencing my decision capabilities on this mission. 7-15-14-0. Hey! It’s gonna be okay. Hold on. Just hold on...[sjgffd831]\\#%pfl S.#**fdfd$ we picked up chatter that final Target had been taken to location Lotus Towers, a mega-structure being used as Primary FOB for the NRC Operations in Cairo. While WASF was able to secure the Minister and Khalil safely for extraction, Hendricks team was not so fortunate. Hey are you still with us? I need you to focus on me. Come back to me. You can’t do this! Oon’t shut it down don’t you dare shut it down! End of the day, it was the right call. We all know what we signed up for - this is part of playing the game. There s life in you yet. Don t you think it s time you woke up?
https://w.atwiki.jp/oper/pages/2417.html
ATTO V Scena Prima IRO O dolor! O martir! Che l alma attrista! O mesta rimembranza di dolorosa vista! Io vidi i Proci estinti, i Proci furo uccisi. Ah! Ah, ch io perdei le delizie del ventre e della gola! Chi soccorre il digiun, chi lo consola? Oh flebile parola! I Proci, Iro, perdesti, i Proci, i padri tuoi! Sporga pur quante vuoi lagrime amare e meste, ché padre è chi ti ciba e chi ti veste. Chi più della tua fame satollerà le brame? Non troverai, no, no, non troverai chi goda empir del vasto ventre, l affamate caverne! Non troverai, no, no, chi rida del ghiotto trionfar Della tua gola! Chi soccorre il digiun, chi lo consola? Infausto giorno a mie ruine armato! Poco dianzi mi vinse un vecchio ardito, or m abbatte la fame, dal cibo abbandonato! L ebbi già per nemica l ho distrutta, l ho vinta. Or troppo fora vederla vincitrice. Voglio uccider me stesso e non vo mai, mai ch ella porti di me trionfo e gloria! Che si toglie al nemico ha gran vittoria! Coraggioso mio core, mio core coraggioso, Vinci il dolore! E pria ch alla fame nemica egli soccomba, vada il mio corpo a disfamar la tomba. Scena Seconda (Discendi ombre de Proci ed Mercurio) (Scena perduta) Scena Terza (Reggia) Sinfonia MELANTO E quai nuovi rumori, e che insolite stragi, e che tragici amori? Chi fu l ardito che osò con nuova guerra, la pace intorbidar ch hai tu negli occhi, e trar disfatti a terra que tempii che ad Amor furono eretti in que focosi petti? PENELOPE Vedova amata, vedova regina, nuove lagrime appresto. In somma, all infelice ogni amore è funesto! MELANTO Così all ombra de scettri anco pur sono malsicure le vite! Vicine alle corone son le destre esecrande anco più ardite. Scena Quarta EUMETE Forza d occulto affetto raddolcisce il tuo petto. Chi con un arco solo, isconosciuto, diede a cento morti il duolo, quel forte, quel robusto, che domò l arco e fe volar gli strali, colui che i Proci insidiosi e felli valoroso trafisse, rallegrati, regina, egli era Ulisse! PENELOPE Sei buon pastor, Eumete, se persuaso credi contro quello che vedi. EUMETE Il canuto, l antico, il povero, il mendico, che co Proci superbi coraggioso attaccò mortali risse, rallegrati, regina, egli era Ulisse! PENELOPE Credulo è il volgo e sciocco, è la tromba mendace della fama fallace. EUMETE Ulisse, Ulisse io vidi, sì, sì! Ulisse è vivo, è qui! PENELOPE Relatore importuno, consolator nocivo! EUMETE Dico che Ulisse è qui. Io stesso il vidi, e l so. Non contenda il tuo "no" con il mio "sì" Ulisse è vivo, è qui. PENELOPE Io non contendo teco perché sei stolto e cieco. Scena Quinta TELEMACO È saggio, Eumete, è saggio! È ver quel ch ei racconta. Ulisse, a te consorte ed a me padre, ha tutte uccise le nemiche squadre. Il comparir sotto mentito aspetto, sotto vecchia sembianza arte fu di Minerva, e fu suo dono. PENELOPE Troppo egli è ver, che gli uomini qui in terra servon di gioco agli immortali dèi. Se ciò credi, ancor tu lor gioco sei. TELEMACO Vuole così Minerva, per ingannar con le sembianze finte gl inimici d Ulisse. PENELOPE Se d ingannar gli dèi prendon diletto, chi far fede mi puote che non sia mio l inganno, se fu mio tutto il danno? TELEMACO Protettrice de Greci è, come sai, Minerva, e più che gli altri Ulisse a lei fu caro. PENELOPE Non han tanto pensiero gli dèi, lassù nel Cielo, delle cose mortali. Lasciano ch arda il foco e agghiacci il gelo figlian le cause lor piaceri e mali. Scena Sesta (Marittima) MINERVA Fiamma è l ira, o gran dea, foco è lo sdegno! Noi sdegnose ed irate, incenerito abbiam di Troia il regno. Offese da un troian, ma vendicate! Il più forte fra Greci ancor contende col destin, con il fato Ulisse addolorato. GIUNONE Per vendetta che piace ogni prezzo è leggero. Vada il troiano impero anco in peggio di polvere fugace! MINERVA Dalle nostre vendette nacquero in lui gli errori delle stragi dilette son figli i suoi dolori. Convien al nostro nume il vindice salvar, placar gli sdegni del Dio de salsi frutti. GIUNONE Procurerò la pace, ricercherò il riposo d Ulisse glorioso. MINERVA Per te del sommo Giove e sorella e consorte s aprono nove in Ciel divine porte. Scena Settima GIUNONE Gran Giove, alma de dèi, Dio delle menti, mente dell universo, tu che l tutto governi e tutto sei, inchina le tue grazie a prieghi miei. Ulisse troppo errò, troppo, ahi, troppo soffrì! Tornalo in pace un dì fu divin il voler che lo destò. Ulisse troppo errò. GIOVE Per me non avrà mai vòta preghiera Giuno, ma placar pria conviensi, lo sdegnato Nettuno. Odimi, odimi, o Dio del mar! Fu scritto qui, dove il destin s accoglie, dell eccidio troiano fatal punto. Or ch al suo fine il destinato è giunto, sdegno otioso un gentil petto invoglia. Nettun, pace, o Nettun! Nettun, perdona il suo duolo, il suo duolo, al mortal ch afflitto il rese. Ecco scrive il destin le sue difese, non è colpa dell uom se il Cielo tuona. NETTUNO Se ben quest onde frigide, son ben quest onde gelide, mai sentono l ardor di tua pietà. Nei fondi algosi ed infimi, nei cupi acquosi termini, il decreto di Giove anco si sa. Contro i Feaci arditi e temerari, mio sdegno si sfogò; pagò il delitto pessimo la nave che restò. Viva, viva felice pur, viva Ulisse sicur! CORO IN CIELO Giove amoroso, fa il Ciel pietoso nel perdonar. CORO MARITTIMO Benché abbia il gelo, non men del Cielo pietoso è il mar. I DUE CORI Prega, mortal, deh, prega, ché sdegnato e pregato, un Dio si piega. GIOVE Minerva, or fia tua cura d acquetar i tumulti de sollevati gli Achivi, che per vendetta degli estinti Proci pensano portar guerra all itacense terra. MINERVA Rintuzzerò que spirti, smorzerò quegli ardori, comanderò la pace, Giove, come a te piace. Scena Ottava (Reggia) ERICLEA Ericlea, che vuoi far? Vuoi tacer o parlar? Se parli tu consoli, obbedisci se taci sei tenuta a servir, obbligata ad amar. Vuoi tacer o parlar? Ma ceda all obbedienza la pietà non si dee sempre dir ciò che si sa. Medicar chi languisce, oh, che diletto! Ma che ingiurie e dispetto scoprir l altrui pensier! Bella cosa talvolta è un bel tacer. Bel segreto taciuto tosto scoprir si può, una sol volta detto celarlo non potrò. Ericlea, che farai? Tacerai, tu? Insomma, un bel tacer mai scritto fu. Scena Nona PENELOPE Ogni vostra ragion sen porta l vento. Non ponno i nostri sogni consolar le vigilie dell anima smarrita. Le favole fan riso e non dan vita. TELEMACO Troppo incredula! EUMETE Incredula troppo! TELEMACO Troppo ostinata! EUMETE Ostinata troppo! TELEMACO E più di vero. EUMETE Di vero è più che l vecchio arciero Ulisse fu. TELEMACO Eccolo, che sen vene e la sua forma tiene. EUMETE Ulisse, egli è! TELEMACO Eccolo affè! Scena Decima (Sopraggiunge Ulisse in sua forma, e detti) ULISSE O delle mie fatiche meta dolce e soave, porto caro, amoroso dove corro al riposo! PENELOPE Fermati, cavaliero, incantator o mago, di tue finte mutanze io non m appago! ULISSE Così del tuo consorte, così, dunque, t appressi a lungamente sospirati amplessi? PENELOPE Consorte io sono, ma del perduto Ulisse. Né incantesmi o magie perturberan la fé, le voglie mie. ULISSE In onor de tuoi rai l eternità sprezzai; volontario cangiando e stato e sorte, per serbarmi fedel son giunto a morte. PENELOPE Quel valor che ti rese ad Ulisse simile, care mi fa le stragi degli amanti malvagi. Questo di tua bugia il dolce frutto sia. ULISSE Quell Ulisse son io, delle ceneri avanzo. Residuo delle morti; degli adulteri e ladri fiero castigator e non seguace. PENELOPE Non sei tu il primo indegno che, con nome mentito tentasse di trovar comando o regno. ERICLEA Or di parlar è tempo! È questo Ulisse, casta e gran donna. Io lo conobbi all ora che, nudo, al bagno venne, ove scopersi del feroce cinghiale, l onorato segnale. Ben ti chieggo perdon, se troppo tacqui loquace, femminil, garrula lingua. Per comando d Ulisse, con fatica lo tacque, e non lo disse. PENELOPE (fra sé) Creder ciò ch è desio m insegna amore, serbar costante il sen comanda onore. Dubbio pensier, che fai? La fé negata ai prieghi del buon custode Eumete, di Telemaco il figlio, alla vecchia nutrice anco si nieghi, ché il mio pudico letto sol d Ulisse è ricetto! ULISSE Del tuo casto pensiero io so il costume. So ch il letto pudico, che tranne Ulisse solo altro non vide. Ogni notte da te s adorna e copre con un serico drappo, di tua mano contesto, in cui si vede col virginal suo coro, Diana effigiata. M accompagnò mai sempre memoria così grata. PENELOPE Or sì ti riconosco, or sì ti credo, antico possessore del combattuto core! Onestà mi perdoni! Dono tutto ad amor le sue ragioni! ULISSE Sciogli la lingua, deh, sciogli per allegrezza i nodi! Sciogli un sospir, un "ohimé", la voce snodi! PENELOPE Illustratevi, o Cieli, rinfioratevi, o prati! Aure, gioite! Gli augelletti cantando, i rivi mormorando or si rallegrino! Quell erbe verdeggianti, quell onde sussurranti, or si consolino! Già ch è sorta felice, dal cenere troian, la mia Fenice! ULISSE Sospirato mio sole! PENELOPE Rinnovata mia luce! ULISSE Porto quieto e riposo! PENELOPE Bramato sì, ma caro! ULISSE Bramato sì, ma caro! PENELOPE Per te gli andati affanni A benedir imparo! ULISSE Non si rammenti Più de tormenti! PENELOPE Sì, sì, vita, sì, sì! ULISSE Tutto è piacere! PENELOPE Sì, sì, vita, sì, sì! Fuggan dai petti dogliosi affetti! ULISSE Sì, sì, core, sì, sì! PENELOPE Tutto è godere! PENELOPE, ULISSE Del piacer, del goder venuto è il dì! Sì, sì, vita! Sì, sì, core, sì, sì! ATTO V Scena Prima IRO O dolor! O martir! Che l alma attrista! O mesta rimembranza di dolorosa vista! Io vidi i Proci estinti, i Proci furo uccisi. Ah! Ah, ch io perdei le delizie del ventre e della gola! Chi soccorre il digiun, chi lo consola? Oh flebile parola! I Proci, Iro, perdesti, i Proci, i padri tuoi! Sporga pur quante vuoi lagrime amare e meste, ché padre è chi ti ciba e chi ti veste. Chi più della tua fame satollerà le brame? Non troverai, no, no, non troverai chi goda empir del vasto ventre, l affamate caverne! Non troverai, no, no, chi rida del ghiotto trionfar Della tua gola! Chi soccorre il digiun, chi lo consola? Infausto giorno a mie ruine armato! Poco dianzi mi vinse un vecchio ardito, or m abbatte la fame, dal cibo abbandonato! L ebbi già per nemica l ho distrutta, l ho vinta. Or troppo fora vederla vincitrice. Voglio uccider me stesso e non vo mai, mai ch ella porti di me trionfo e gloria! Che si toglie al nemico ha gran vittoria! Coraggioso mio core, mio core coraggioso, Vinci il dolore! E pria ch alla fame nemica egli soccomba, vada il mio corpo a disfamar la tomba. Scena Seconda (Discendi ombre de Proci ed Mercurio) (Scena perduta) Scena Terza (Reggia) Sinfonia MELANTO E quai nuovi rumori, e che insolite stragi, e che tragici amori? Chi fu l ardito che osò con nuova guerra, la pace intorbidar ch hai tu negli occhi, e trar disfatti a terra que tempii che ad Amor furono eretti in que focosi petti? PENELOPE Vedova amata, vedova regina, nuove lagrime appresto. In somma, all infelice ogni amore è funesto! MELANTO Così all ombra de scettri anco pur sono malsicure le vite! Vicine alle corone son le destre esecrande anco più ardite. Scena Quarta EUMETE Forza d occulto affetto raddolcisce il tuo petto. Chi con un arco solo, isconosciuto, diede a cento morti il duolo, quel forte, quel robusto, che domò l arco e fe volar gli strali, colui che i Proci insidiosi e felli valoroso trafisse, rallegrati, regina, egli era Ulisse! PENELOPE Sei buon pastor, Eumete, se persuaso credi contro quello che vedi. EUMETE Il canuto, l antico, il povero, il mendico, che co Proci superbi coraggioso attaccò mortali risse, rallegrati, regina, egli era Ulisse! PENELOPE Credulo è il volgo e sciocco, è la tromba mendace della fama fallace. EUMETE Ulisse, Ulisse io vidi, sì, sì! Ulisse è vivo, è qui! PENELOPE Relatore importuno, consolator nocivo! EUMETE Dico che Ulisse è qui. Io stesso il vidi, e l so. Non contenda il tuo "no" con il mio "sì" Ulisse è vivo, è qui. PENELOPE Io non contendo teco perché sei stolto e cieco. Scena Quinta TELEMACO È saggio, Eumete, è saggio! È ver quel ch ei racconta. Ulisse, a te consorte ed a me padre, ha tutte uccise le nemiche squadre. Il comparir sotto mentito aspetto, sotto vecchia sembianza arte fu di Minerva, e fu suo dono. PENELOPE Troppo egli è ver, che gli uomini qui in terra servon di gioco agli immortali dèi. Se ciò credi, ancor tu lor gioco sei. TELEMACO Vuole così Minerva, per ingannar con le sembianze finte gl inimici d Ulisse. PENELOPE Se d ingannar gli dèi prendon diletto, chi far fede mi puote che non sia mio l inganno, se fu mio tutto il danno? TELEMACO Protettrice de Greci è, come sai, Minerva, e più che gli altri Ulisse a lei fu caro. PENELOPE Non han tanto pensiero gli dèi, lassù nel Cielo, delle cose mortali. Lasciano ch arda il foco e agghiacci il gelo figlian le cause lor piaceri e mali. Scena Sesta (Marittima) MINERVA Fiamma è l ira, o gran dea, foco è lo sdegno! Noi sdegnose ed irate, incenerito abbiam di Troia il regno. Offese da un troian, ma vendicate! Il più forte fra Greci ancor contende col destin, con il fato Ulisse addolorato. GIUNONE Per vendetta che piace ogni prezzo è leggero. Vada il troiano impero anco in peggio di polvere fugace! MINERVA Dalle nostre vendette nacquero in lui gli errori delle stragi dilette son figli i suoi dolori. Convien al nostro nume il vindice salvar, placar gli sdegni del Dio de salsi frutti. GIUNONE Procurerò la pace, ricercherò il riposo d Ulisse glorioso. MINERVA Per te del sommo Giove e sorella e consorte s aprono nove in Ciel divine porte. Scena Settima GIUNONE Gran Giove, alma de dèi, Dio delle menti, mente dell universo, tu che l tutto governi e tutto sei, inchina le tue grazie a prieghi miei. Ulisse troppo errò, troppo, ahi, troppo soffrì! Tornalo in pace un dì fu divin il voler che lo destò. Ulisse troppo errò. GIOVE Per me non avrà mai vòta preghiera Giuno, ma placar pria conviensi, lo sdegnato Nettuno. Odimi, odimi, o Dio del mar! Fu scritto qui, dove il destin s accoglie, dell eccidio troiano fatal punto. Or ch al suo fine il destinato è giunto, sdegno otioso un gentil petto invoglia. Nettun, pace, o Nettun! Nettun, perdona il suo duolo, il suo duolo, al mortal ch afflitto il rese. Ecco scrive il destin le sue difese, non è colpa dell uom se il Cielo tuona. NETTUNO Se ben quest onde frigide, son ben quest onde gelide, mai sentono l ardor di tua pietà. Nei fondi algosi ed infimi, nei cupi acquosi termini, il decreto di Giove anco si sa. Contro i Feaci arditi e temerari, mio sdegno si sfogò; pagò il delitto pessimo la nave che restò. Viva, viva felice pur, viva Ulisse sicur! CORO IN CIELO Giove amoroso, fa il Ciel pietoso nel perdonar. CORO MARITTIMO Benché abbia il gelo, non men del Cielo pietoso è il mar. I DUE CORI Prega, mortal, deh, prega, ché sdegnato e pregato, un Dio si piega. GIOVE Minerva, or fia tua cura d acquetar i tumulti de sollevati gli Achivi, che per vendetta degli estinti Proci pensano portar guerra all itacense terra. MINERVA Rintuzzerò que spirti, smorzerò quegli ardori, comanderò la pace, Giove, come a te piace. Scena Ottava (Reggia) ERICLEA Ericlea, che vuoi far? Vuoi tacer o parlar? Se parli tu consoli, obbedisci se taci sei tenuta a servir, obbligata ad amar. Vuoi tacer o parlar? Ma ceda all obbedienza la pietà non si dee sempre dir ciò che si sa. Medicar chi languisce, oh, che diletto! Ma che ingiurie e dispetto scoprir l altrui pensier! Bella cosa talvolta è un bel tacer. Bel segreto taciuto tosto scoprir si può, una sol volta detto celarlo non potrò. Ericlea, che farai? Tacerai, tu? Insomma, un bel tacer mai scritto fu. Scena Nona PENELOPE Ogni vostra ragion sen porta l vento. Non ponno i nostri sogni consolar le vigilie dell anima smarrita. Le favole fan riso e non dan vita. TELEMACO Troppo incredula! EUMETE Incredula troppo! TELEMACO Troppo ostinata! EUMETE Ostinata troppo! TELEMACO E più di vero. EUMETE Di vero è più che l vecchio arciero Ulisse fu. TELEMACO Eccolo, che sen vene e la sua forma tiene. EUMETE Ulisse, egli è! TELEMACO Eccolo affè! Scena Decima (Sopraggiunge Ulisse in sua forma, e detti) ULISSE O delle mie fatiche meta dolce e soave, porto caro, amoroso dove corro al riposo! PENELOPE Fermati, cavaliero, incantator o mago, di tue finte mutanze io non m appago! ULISSE Così del tuo consorte, così, dunque, t appressi a lungamente sospirati amplessi? PENELOPE Consorte io sono, ma del perduto Ulisse. Né incantesmi o magie perturberan la fé, le voglie mie. ULISSE In onor de tuoi rai l eternità sprezzai; volontario cangiando e stato e sorte, per serbarmi fedel son giunto a morte. PENELOPE Quel valor che ti rese ad Ulisse simile, care mi fa le stragi degli amanti malvagi. Questo di tua bugia il dolce frutto sia. ULISSE Quell Ulisse son io, delle ceneri avanzo. Residuo delle morti; degli adulteri e ladri fiero castigator e non seguace. PENELOPE Non sei tu il primo indegno che, con nome mentito tentasse di trovar comando o regno. ERICLEA Or di parlar è tempo! È questo Ulisse, casta e gran donna. Io lo conobbi all ora che, nudo, al bagno venne, ove scopersi del feroce cinghiale, l onorato segnale. Ben ti chieggo perdon, se troppo tacqui loquace, femminil, garrula lingua. Per comando d Ulisse, con fatica lo tacque, e non lo disse. PENELOPE (fra sé) Creder ciò ch è desio m insegna amore, serbar costante il sen comanda onore. Dubbio pensier, che fai? La fé negata ai prieghi del buon custode Eumete, di Telemaco il figlio, alla vecchia nutrice anco si nieghi, ché il mio pudico letto sol d Ulisse è ricetto! ULISSE Del tuo casto pensiero io so il costume. So ch il letto pudico, che tranne Ulisse solo altro non vide. Ogni notte da te s adorna e copre con un serico drappo, di tua mano contesto, in cui si vede col virginal suo coro, Diana effigiata. M accompagnò mai sempre memoria così grata. PENELOPE Or sì ti riconosco, or sì ti credo, antico possessore del combattuto core! Onestà mi perdoni! Dono tutto ad amor le sue ragioni! ULISSE Sciogli la lingua, deh, sciogli per allegrezza i nodi! Sciogli un sospir, un "ohimé", la voce snodi! PENELOPE Illustratevi, o Cieli, rinfioratevi, o prati! Aure, gioite! Gli augelletti cantando, i rivi mormorando or si rallegrino! Quell erbe verdeggianti, quell onde sussurranti, or si consolino! Già ch è sorta felice, dal cenere troian, la mia Fenice! ULISSE Sospirato mio sole! PENELOPE Rinnovata mia luce! ULISSE Porto quieto e riposo! PENELOPE Bramato sì, ma caro! ULISSE Bramato sì, ma caro! PENELOPE Per te gli andati affanni A benedir imparo! ULISSE Non si rammenti Più de tormenti! PENELOPE Sì, sì, vita, sì, sì! ULISSE Tutto è piacere! PENELOPE Sì, sì, vita, sì, sì! Fuggan dai petti dogliosi affetti! ULISSE Sì, sì, core, sì, sì! PENELOPE Tutto è godere! PENELOPE, ULISSE Del piacer, del goder venuto è il dì! Sì, sì, vita! Sì, sì, core, sì, sì! Monteverdi,Claudio/Il ritorno d Ulisse in patria
https://w.atwiki.jp/pathofexile12/pages/726.html
The RetchはRustic Sashのユニーク 入手方法 詳説・特徴 関連リンク The Retch Rustic Sash ステータス要求値:LEVEL44 (12-24)% increased Global Physical DamageグローバルPhysicalダメージが(12-24)%増加 +(60-80) to maximum Life最大Life+(60-80) +(30-40)% to Cold ResistanceCold耐性+(30-40)% 0.4% of Physical Attack Damage Leeched as Life与えたPhysical Attackダメージの0.4%をLifeとして吸収する 60% increased Flask Effect Durationフラスコの持続時間を60%増加 30% reduced Flask Charges gained during any Flask Effectフラスコの効果中、フラスコチャージの取得量が30%減少 200% of Life Leech applies to Enemies as Chaos DamageLife吸収の200%をChaosダメージとして与える 15% increased Movement Speed during any Flask Effectフラスコの効果中、移動速度が15%増加 But the grain grew twisted and the water turned darkand those who partook of Mother Gull s giftbirthed monsters that fed on the flesh of one another. 入手方法 Talismanリーグ限定品。 カード等のドロップ以外の入手方法 アイテム 必要数 備考 Feastbind 1 ベンダーレシピ Faminebind 1 Orb of Fusing 1 詳説・特徴 関連リンク 英wiki https //pathofexile.gamepedia.com/The_Retch Unique Belts 一覧
https://w.atwiki.jp/mugen_industry/pages/537.html
What is the Mugen Industry? Mugen Industry, is Pirate/ PvP corp formed mostly by Japanese. Fundamental Policy NBSI … Not Blue, Shoot It. Members are Allowed to shoot any PCs with no Blue tag. Tax 0% … We don’t correct any tax in the corp. Respect for Compensation and Assistance system … We make a point of the welfare work in order to fight out under difficult condition. Loyalty and Bravery … We value propriety and friends as very important. We fight against enemy with indomitable spirit. Business Activities Small to Large scale fleet Roaming at 0.0 or Low-sec GC busting Gate Camping Mission Ganking Ransoming High-sec War And any other kinds of PvP Inner Services Compensation Service … We indemnify for ship loss during the operation. Ship Purchasing Assistant Service … We provide various assistant services when members wish to deploy new ship to new branch station. Bonus System … Members will receive bonus when the whole profit in one combat action is more than 5 Million isk per a person. Also, we remunerate for member s daily kills and scouting activities based on Kill points in the kill board. Jump Clone Service … Members can make Jump Clone immediately by joining our related company. Transport Service … We provide high-sec transporting service, so that members can acquire what they need even they are outlaw. Inner Sales Service … Members can buy modules and ships that we took from "customers" cheaper than average price. Consumable Goods Providing Service … We provide members free T1 ballets, Cap Boosters, Probes, and Modules. Noob Assistance … We provide newbie members free Frigate, Cruiser size ships. Various Special Events … We take place battle tournaments, Large Operation and SiSi server training sometimes. Kill Board … Members are allowed to use our kill board authorized by Griefwatch.net. In-house Wikipedia … Members are allowed to use Mugen’s private Wikipedia and recommended to share information each other. TeamSpeak2 Server … Members are allowed to use Mugen’s private TS2 server. IRC Channel … Members are allowed to use Mugen s private IRC channel for communicating while off-line. Mugen s Rule We demand to respect the followings to Members. Etiquette … Treat co-workers and friend company’s members with care. Also, Do not be too rude even to antagonizing corp or prey. Communication … Log in to TS2 server and IRC while joining our operation/business. Also, Members are recommended to exchange greetings at the comings and goings of people no matter in Game, IRC, nor TS2. Act time … Members are recommended to log in EVE a few times in a week. Check out our wiki or Corp Mail regularly for there might be important notice on it. Partnership … Fundamentally, Mugen doesn t force to do anything. However, Members are strongly encouraged to join OP and other Events actively, since we believe that Achieving great goal by working together is what the Corp is established for and what the real enjoyment reason for joining Corp in EVE Online. Distinction between Real life and Game life … We can enjoy games because we have real life. Do not abandon your real life and be NO LIFE KING. Prohibition We prohibit Members from doing the followings. Too much of Slandering, abusive language, and Smacktalk We think it is unmanly act. Behave like a man, respond with Guns, Missiles and Lasers! Usage of System bugs Committing a fraud, Nonfulfillment of engagement with prey at Ransoming Honor Ransom! Any kind of action to let Mugen suffer a loss * About Joining and Leaving Mugen. Recruitment Requirement. Those who can understand Japanese or Those who shows understanding toward our operations in Japanese language and can be cooperative with it Those characters in subscription account With the minimum skill point enough for PvP(We recommend to have at least 4M SP) And those who agreed with our policies written above We’ll make a little interview for joining Mugen. Recruit will be asked a few question like... How much is your total skill points? or Have you ever had pvp experience? or Can you make Jump Clone by yourself? etc etc. Those characters which had been designated as high role in corp need 24 hours to be released from its authority, and they cannot join Mugen until 24 hours after quitting the former corp. Please be sure about it. For questions about inquiry or application to Mugen, We are always awaiting you in Public Channel “JP-PKERS”. We would have to force some members to leave Mugen in some case. Those who haven t been logged in for more than 2 month without notifying the reason to us. Those who violate Mugen’s policy heavily. Use Corp Mail or Convo to let CEO and/or personnel department manager know when you got some reason you cannot log in for long time. Diplomatic policy For more details about Mugen’s foreign policy, Convo Mugen’s Diplomat (KillerKhan) or asks in Public Channel “JP-PKERS”. We have been concluded mutual Blue relationship with some Japanese and foreigner corporations. We show respect to our partner corp which, we think, the relationship is profitable. However, Keep in mind that Mugen is a pirate corp, means, We are Public Enemy. Goal Be strong as much as we can ...At least, acquire enough strenght to beat up anyone with same numbers. Establish large scale PvP power Achieve the goal with no help of existing large scale organization but Mugen and our friends Track record of current business branch/Operation. Sukanan Invading Operation (Tash-Murkon Region) *In Progress* Achievement Vs Local Defence Force (Sukanan Allience) Nalvula Headquarters(LoneTrek Region) Achievement Vs Rival Pirate Corps Egghelende Branch Office (Sinq Raison Region) Achievement Vs Rival Pirate Corps Hysera Branch Office(The Citadel Region) Achievement Vs Rival Pirate Corps There are also some other small scale Branch offices.
https://w.atwiki.jp/mainichi-matome/pages/203.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Discarded women sell spring out of crumbling 'chon-no-ma' brothel「見捨てられた女性が、崩壊した「チョンのマ」売春宿の外で春を売る」 参考情報 拡散状況 関連ページ Discarded women sell spring out of crumbling chon-no-ma brothel 「見捨てられた女性が、崩壊した「チョンのマ」売春宿の外で春を売る」 Discarded women sell spring out of crumbling chon-no-ma brothel Jitsuwa Knuckles (August) By Masuo Kamiyama 「見捨てられた女性が、崩壊した「チョンのマ」売春宿の外で春を売る」2007,07,14 実話ナックルズ(8月号) By カミヤマ・マスオ 1 "Politics is not the art of the possible. It consists in choosing between the disastrous and the unpalatable." 『政治は可能性の芸術ではない。悲惨なことと不快なことのどちらかを選ぶかという苦肉の策である。』 2 Economist John Kenneth Galbraith (1908-2006) made the above remark in response to the citation by Prussian statesman Otto von Bismarck (1815-1898), who had proclaimed, "Politics is the art of the possible." 経済学者のジョン・ケネス・ガルブレイス(1908-2006)は、プロイセン王国の指導者オットー・フォン・ビスマルク(1815−1898)が公言した、『政治とは可能性の芸術である』という言及に対して上記の批評をした。 3 That s a pretty pedantic lead-in for an article on housewife prostitution in a Japanese subculture magazine like Jitsuwa Knuckles (August). これは実話ナックルズ(8月号)のような日本のサブカルチャー雑誌の主婦売春についての記事のかなり知ったかぶりな導入部である。 4 But contributor Chimata Hiramura thinks he has a point. Galbraith s remarks regarding politics being a choice between disaster and unpalatability may be somewhat analogous to tolerance for what many regard as a necessary social evil -- prostitution. しかし寄稿者のヒラムラチマタ(*1)は自分の言うことはもっともだと思っている。 ガルブレイスの政治についての悲惨なことと不快なこととの選択だという批評は、多くの人が否めない社会悪 --- 売春(*2)と見なしていることを耐え忍ぶのに多少似ているかもしれない。 5 Be that as it may, legalized prostitution in the form of licensed brothels came to an end in Japan in 1958. Yet half a century later, some terms from former times remain with us. One is "chon-no-ma" (or "choi-no-ma" in some parts of Japan), rows of small sheds, cribs or cubicles, outside of which women would stand in inviting poses, under dim, pink-hued lights, awaiting male patrons for short-time trysts. それはさておき、日本では認可された売春宿形態の合法的な売春は1958年に終わりを遂げた。 それにもかかわらず半世紀後も、昔からのいくつかの言葉がまだ残っている。 一つは『ちょんの間』(もしくは、一部の日本では『ちょいの間』)である。小さな部屋か小さく仕切ったスペースか小さな小屋が並んでおり、その外では女性達が薄暗いピンク色の灯りの下で、つかの間の逢瀬のための男性客を待ちながら誘いのポーズで立っているのだ。 6 "Chon" means to come to an end, and "ma" is a room. As the current remuneration in such establishments is around 10,000 yen -- or even 5,000 yen on nights when business is exceptionally slow -- the women working therein generally make every effort to keep the time as brief as possible. 『ちょん』とは終わるという意味、『間』は部屋である。 このような風俗施設での現在の報酬は約10,000円、または客足が非常に悪い時は一晩5,000円にさえなる。その中で働いている女性は出来るだけ時間を短く済ませるために通常あらゆる努力をする。 7 While officially illegal, these places still operated quite openly until fairly recently, staffed mostly by Thai and Chinese women. But Jitsuwa Knuckles points out that after Japan came under international criticism for trafficking in foreign women, the authorities were obliged to launch cleanup drives from around 2005, and the chon-no-ma operations that had thrived in Yokohama, Machida (Tokyo) and Kawaguchi (Saitama) were successively shut down. 表向きには非合法であるが、これらの場所はまだ結構最近までかなり公然と経営されていて、主にタイ人と中国人の女性を置いていた。 しかし、日本が外国人女性の人身売買で国際的な批判をうけた後、当局は仕方なく2005年あたりから一掃キャンペーンを開始し、横浜、町田(東京)、川口(埼玉)で繁盛していたちょんの間営業は続けざまに閉鎖されたと実話ナックルズは指摘する。 8 Or, shall we say, driven underground. つまり、言ってみれば、地下に潜ったということなのである。 9 And that was that, Hiramura believed, until he was approached by a colleague, a writer on the sex trade, who suggested the two collaborate on a project. そして、それで終わったのだ、とヒラムラは信じていた。風俗ライターの同僚が接触してきて、ある企画を二人で共同執筆しようと持ちかけるまでは。 10 "I live in Kunitachi City," the friend explained, naming an upscale west Tokyo suburb. "Near my house, I spotted a woman that I m sure I saw working in Yokohama s Kogane-cho red-light district a couple of years ago." 「国立市に住んでるんだけど」友人は西東京郊外の高級住宅地の名前を挙げて説明した。 「俺の家の近くに、横浜の黄金町の赤線地区で何年か前に働いているのを見たはずの女を見つけたんだよ。」 10 Well, Hiramura replied, so what? There s nothing strange about women getting out of the skin trade and leading normal lives. うん、それで?とヒラムラは返事した。 女性がポルノ商売から抜けて普通の生活を送ることに何もおかしいことはない。 11 "Yeah, but I also see others I recognize from Machida or Kawaguchi prowling around the same neighborhood. And they are often accompanied by different men." 「ああ、でも町田や川口で見かけた他の女達も同じ地域をうろついているのも見てるんだよ。 それにあいつらはしょっ中違う男と同伴しているんだよ。」 12 The women had apparently converged on a decaying, 1920 s-era apartment building and set up shop, using an elderly woman as a procuress. 女達はどうやら崩壊しかけの1920年代の共同住宅に集まってきて、老婆を客引き女として使う店を出したらしい。 13 "That place is definitely a chon-no-ma!" he exclaimed with a tearful gleam in his eyes. "When I heard that old woman greet me, it really brought back a lot of memories." 「あの場所は間違いなくちょんの間だよ!」彼は目を涙で可輝かせて叫んだ。 「あの婆さんが俺に声をかけてるのを聞いた時、色々な思い出が蘇ってきたんだよ。」 14 The two writers visited together. 二人のライターは一緒に訪問した。 15 "How did you find out about this place?" the old woman challenged. 「どうやってこの場所の存在を見つけたんだい?」老婆は疑ってきた。 16 "We, uh, were introduced by an acquaintance," Hiramura replied. "Via the internet." 「自分達は、えーと、知り合いに紹介されたんだよ。」ヒラムラは答えた。「インターネットを通して。」 17 The crone s expression softened to a smile, revealing teeth in dire need of extensive cosmetic dentistry. 老婆の表情は笑顔へと和らぎ、大規模な審美歯科の治療がすぐさま必要な歯を覗かせた。 18 "Okay, come on in then." 「いいよ、それなら入っておいで。」 19 She led them to the back of the building, and lo and behold, smiling young women lined up outside doors to the small units. It was just like the good old days. 老婆は彼らを建物の奥へ連れて行き、そして驚いた事に、笑みを浮かべた若い女達が小部屋につながる各ドアの外に並んでいた。 なんて懐かしいんだろう。 20 "Now this gal," said the crone by way of introduction, "is a lot of fun. And she s really tight down there, as good as it gets." 「ところでこの子は」紹介のつもりで老婆は言った。「とても楽しいよ。 それに締まり具合が実によくて、最高に素晴らしいよ。」 21 Hiramura picked a 29-year-old woman who resembled former "Onyanko Club" cutsie Minayo Watanabe and passed her a 10,000 yen bill, which gained him immediate access to her chon-no-ma. ヒラムラは元「おニャンコクラブ」のぶりっ子の渡辺美奈代に似た29歳の女を選び、彼女に10,000円を払うと、すぐに彼女のちょんの間に通された。 22 They undressed, and she soon straddled him, humping away as a mixture female fragrances and the odor of old tatami mats wafted through the air. 二人は服を脱ぎ、彼女がすぐに彼に股がり、女の香りと古いタタミの匂いが部屋中に漂う中まぐわった。 23 Hiramura spent himself and was soon ready to depart, with a somewhat lukewarm invitation to make the scene again. ヒラムラは精根使い果たし、またやって来たいと今いち心そそるものを感じずに、すぐに出て行く準備をした。 24 Hiramura s companion said he had set up a private meeting with a woman who he had formerly run into in Kogane-cho, the chon-no-ma section of Yokohama. ヒラムラの連れは横浜のちょんの間地区の黄金町で以前偶然出会った女と個人的に会う手はずを整えたと言った。 25 "The women who work here (in Kunitachi) aren t interested in being interviewed," explains "Midori," in a surprisingly tiny voice. "That s because most of them have been busted at one time or another for prostitution, and had a rough time of it. They all understand that there s nothing in it for them to speak to men. 「ここ(国立)で働く女はインタビューされるのに興味がないのよ。」と『ミドリ』は驚くほど小さい声で説明する。 「ほとんどがいつだか分かんないけど売春で捕まったことがあって辛い目にあってんのよ。 全員そのことで男に話すことなんてないって了解してるの。」 26 "In the old days, after most girls at these places got out of the life it used to be an unwritten rule that they d marry a yakuza," continues Midori, who Hiramura describes as still feisty and attractive at 32. "It had been that way since feudal times, but these days men are no good. 「昔は、こんな場所にいるほとんどの女の子達はこの生活から足を洗った後は、ヤクザと結婚するのが暗黙のルールだったの。」ヒラムラが描写するに32歳の元気がよくて愛嬌のあるミドリは続ける。 「封建的な時代からこんな感じだったんだけど、最近は男が全然使い物にならないのよ。」 27 "So this place is kind of like a whore post for women nobody wants," she says, referring to the baby post recently installed in a Kumamoto hospital where parents can deposit infants they are unable to raise. 「だからこの場所は誰もが必要としない女のための『売春婦ポスト』みたいなものなのよ。」と彼女は最近熊本の両親が育てられなくなった乳児を捨てられる病院に最近設けられた『赤ちゃんポスト』に例えて言う。 28 "Today s a special exception for you," the woman tells Hiramura. "Normally we don t waste time talking -- our job is just to get the guy off and out the door as fast as we can." 「今日はあんたのために特例だからね。」女はヒラムラに話す。 「いつもは私達はおしゃべりで時間を無駄にしないのよ ー 私達の仕事は出来るだけ早く男をイカせて追い出すだけなんだから。」 29 On that note she smiled, shook his hand and walked off, leaving him alone, looking at the weather-beaten exterior of building in which she toiled. (By Masuo Kamiyama, People s Pick contributor). この話で彼女は微笑み、彼と握手をしてから、彼を一人残し、自分が働く雨風にさらされ傷んだ建物の外装を見ながら、歩き去って行った。 (カミヤマ・マスオ記 People s Pickの寄稿者) (Mainichi Japan) July 14, 2007 参考情報 ジョン・ケネス・ガルブレイス "ジョン・ケネス・ガルブレイス." Wikipedia, . 11 10月 2008, 08 23 UTC. 29 10月 2008, 01 12 http //ja.wikipedia.org/w/index.php?title=%E3%82%B8%E3%83%A7%E3%83%B3%E3%83%BB%E3%82%B1%E3%83%8D%E3%82%B9%E3%83%BB%E3%82%AC%E3%83%AB%E3%83%96%E3%83%AC%E3%82%A4%E3%82%B9 oldid=22263971 . オットー・フォン・ビスマルク "オットー・フォン・ビスマルク." Wikipedia, . 20 10月 2008, 14 35 UTC. 29 10月 2008, 01 13 http //ja.wikipedia.org/w/index.php?title=%E3%82%AA%E3%83%83%E3%83%88%E3%83%BC%E3%83%BB%E3%83%95%E3%82%A9%E3%83%B3%E3%83%BB%E3%83%93%E3%82%B9%E3%83%9E%E3%83%AB%E3%82%AF oldid=22445228 . プロイセン王国の首相ビスマルクが1967年8月11日に、マイヤー・フォン・バルデック公爵に『政治とは可能性の芸術である』語ったとされるが、それをジョン・ケネス・ガルブレイスがキューバ危機の際にケネディー大統領宛に書いた手紙の中で『政治は可能性の芸術ではない。悲惨なことと不快なことのどちらかを選ぶかという苦肉の策である。』と批評した。 拡散状況 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/1223-discarded-women-sell-spring-out-crumbling-chon-no-ma-brothel.html 関連ページ The Black Ship 元記事一覧 毎日新聞英語版から配信された記事2007年(7月 - 12月)
https://w.atwiki.jp/elvis/pages/1318.html
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東方紅魔郷カードリスト 総枚数229枚 目次 白 - コモン/アンコモン/レア 青 - コモン/アンコモン/レア 黒 - コモン/アンコモン/レア 赤 - コモン/アンコモン/レア 緑 - コモン/アンコモン/レア 多色 - アンコモン/レア アーティファクト - コモン/アンコモン/レア 土地 - コモン/アンコモン/レア 白 白・コモン 陽気な巫女/Cheerful Miko 彩雨の門番/Colorful Rain Gatekeeper 強制配置のメイド/Compulsion Arrangement Maid 土符「レイジィトリリトン」/Earth Sign Rage Trilithon 夢符「封魔陣」/Dream Sign Evil Sealing Circle 妖精メイド/Faerie Maid 門番の兵長/Gatekeeper Sergeant 土行の魔道書/Grimoire of Earth 天罰「スターオブダビデ」/Heaven s Punishment Star of David 勘の鋭い巫女/Keen Sense Miko メイドの指導者/Maid Leader メイド巡視部隊/Maid Patrol メイドの歩哨/Maid Sentinel 回収するメイド/Salvage Maid 抜かりなき警護/Slip Guard 禁呪の封印/Taboospell Seal 投げナイフメイド/Throwing knives Maid 白・アンコモン コンティニュー/Continue 土符「トリリトンシェイク」/Earth Sign Trilithon Shake ナイフの支給者/Knifeprovisioner 紅魔館の侵入警報/Koumakan s Invasion Warning 背水の門番/Laststand Gatekeeper 妖精メイドの群体/Maid Faerie Colony メイドの斥候/Maid Scout 退魔の結界/Repelevil Barrier 護法の巫女/Word Miko 白・レア 異変の解決者/Accident Resolver 禁弾「カタディオプトリック」/Forbidden Barrage Catadioptric 排除の交戦/Hostilities of Exclusion 惑わしの妖精/Illuding Faerie 紅魔館の司令/Koumakan s Commander ナイフ繰りのメイド/Maid of Knife Turning Over 永遠の巫女、博麗霊夢/Reimu Hakurei,Eternal Miko 紅魔式徴用/Scarlet Devil s Draft 日符「ロイヤルフレア」/Sun Sign Royal Flare 青 青・コモン 氷精の妨害/Ice Faerie s Obstruction 霧の噴出/Fog Burst 水行の魔道書/Grimoire of Water 幻象「ルナクロック」/Illusion Image Luna Cloc 大図書館の読みあさり/Largelibrary Looter 大書庫の整理/Largelibrary sort 抜け目ないメイド/Leering Maid メイドの手捌き/Maid s Maneuvering パチュリーの解法/Patchouli s Solution 覗き見る吸血鬼/Peeps Vampire 雨降らし/Rainsender 無鉄砲な妖精/Rashness Faerie 暑がりな魔法使い/sensitive to heat Wizard 時を抜けた一撃/Time come out Strike そびえ立つ書架/Towering Bookshelves 水符「ベリーインレイク」/Water Sign Bury In Lake 水符「プリンセスウンディネ」/Water Sign Princess Undine 青・アンコモン メイド長の反応/Chiefmaid s Reaction 幻惑のメイド/Dazzle Maid 浸食する霧/Encroach Mist 運命狂わせの悪魔/FateBreak Devil 凍符「パーフェクトフリーズ」/Freeze Sign Perfect Freeze メイド秘技「操りドール」/Maid Secret Skill Marionette 禁忌「恋の迷路」/Taboo Maze of Love 書架の壁/Wall of Bookshelves 一週間少女/Week Girl 青・レア 湖上の氷精、チルノ/Cirno,Ice Faerie on Lake 狡猾な蒐集家/Cunning Collector 運命の掌握者/Fate Griper 大図書館の識者/Greatlibrary Scholar 紅魔館のメイド、十六夜咲夜/Sakuya Izayoi,Maid of the Koumakan 奇術「ミスディレクション」/Strange Art Misdirection もみ消し/Stifle 禁忌「フォーオブアカインド」/Taboo Four of a Kind 魔法少女達の百年祭/The Centennial Festival for Magical Girls 黒 黒・コモン 地下室の吸血鬼/Basement Vampire 呪詛「ブラド・ツェペシュの呪い」/Curse Curse of Vlad Tepes 闇の襲撃者/Dark Attacker 分散する悪魔/Disperse Devil 金行の魔道書/Grimoire of Metal 幻在「クロックコープス」/Illusion Existence Clock Corpse 血吸いコウモリ/Leeching Bat 小悪魔/Little Devil メイドの粛清/Maid s Purge 無慈悲な一撃/Merciless Strike 金符「メタルファティーグ」/Metal Sign Metal Fatigue 夜符「ナイトバード」/Night Sign Night Bird 館の掃除係/Pavilion Cleaner 紅霧の影/Redmisty Shadow 忍び寄る妖魔/Stalking Youma 頑丈な吸血鬼/Sturdy Vampire 見知らぬ犠牲/Victim of stranger 黒・アンコモン 血の収穫/Blood Harvest 吸血鬼の破壊者/Cracker Vampire 使い魔の使役/Employment Familiar 神術「吸血鬼幻想」/God Art Vampire Illusion 孤独な吸血鬼/Lone Vampire 魔法図書館の使い魔/Magiclibrary Familiar 再襲撃/Reraid 禁忌「カゴメカゴメ」/Taboo Kagome, Kagome 誘惑する吸血鬼/Temptation Vampire 黒・レア 冥符「紅色の冥界」/Dark Sign Scarlet Netherworld 吠えたける召喚者/Howling Summoner 閉じ籠る少女/Locked Girl 巫女の迫害/Miko s Persecute 紅霧を纏う夜王/Redmistymane Nightking 波紋の吸血鬼/Ripple Vampire 宵闇の妖怪、ルーミア/Rumia,Youkai of the Dusk 紅き夜の支配者/Scarletnight Ruler 秘弾「そして誰もいなくなるか?」/Secret Barrage And Then Will There Be None 幼きデーモンロード/Young Demon Lord 赤 赤・コモン 追いすがるメイド/Catching up Maid 狂気の衝動/Dementia Urge 火符「アグニシャイン」/Fire Sign Agnishine 火炉使いの突撃/Firefurnacemaster Charge 門番の格闘術/Gatekeeper s Fightskill 火行の魔道書/Grimoire of Fire 忌まれし悪魔/Hideous Devil 氷符「アイシクルフォール」/Ice Sign Icicle Fall ナイフの嵐/Knife Storm 紅魔館の問題児/Koumakan s Problemchild メイドの精鋭/Maid Elite メイドの狂信者/Maid Fanatic メイドの後続部隊/Maid Reinforcements 切り込むメイド/Raid Maid 切り裂く悪魔/Ripdevil 紅い暴虐/Red Atrocity 禁忌「クランベリートラップ」/Taboo Cranberry Trap 赤・アンコモン ほおずきみたいに紅い魂/A Soul as Red as a Ground Cherry 血飛沫の吸血鬼/Bloodspray Vampire ドジなメイド/Blunder Maid 火符「アグニレイディアンス」/Fire Sign Agni Radiance 飛刀のメイド/Knifeshot Maid メイドの特攻/Maid Assault メイドの先導/Maid Outrider 紅蓮地獄/Pyroclasm 紅符「スカーレットシュート」/Scarlet Sign Scarlet Shoot 赤・レア 血染めの月/Blood Moon 荒れ狂う荒廃者/Frantic Ravager 魔書の紅蓮術師/Grimoire Pyromancer 紅魔館のメイド長/Koumakan s Chiefmaid 恋符「マスタースパーク」/Love Sign Master Spark 東洋の西洋魔術師、霧雨魔理沙/Marisa Kirisame,Western Magician in the East 「レッドマジック」/Red Magic 「紅色の幻想郷」/Scarlet Gensokyo 紅の妹/Sister of Scarlet ツェペシュの幼き末裔/The Young Descendant of Tepes 緑 緑・コモン 集気の門番/Aura Gatekeeper 彩色の門番/Chromatic Gatekeeper 大喰らいの妖怪/Craw Youkai 魔林の妖精/Devilwood Faerie 食べられる人類/Edible Human 武人の気迫/Fighter s Spirit 華符「芳華絢爛」/Flower Sign Gorgeous Sweet Flower 濃霧/Fog 木行の魔道書/Grimoire of Wood 門番の案内/Guide of Gatekeeper 危険な妖怪/Perilous Youkai 虹符「彩虹の風鈴」/Rainbow Sign Wind Chime of Colorful Rainbow 回帰する妖精/Recurring Faerie 踏み止まり/Remaining 門前の撃墜者/Those who shoot it down before a gate 突き進む魔法使い/Wizard who Goesforward 木符「シルフィホルン」/Wood Sign Sylphae Horn 緑・アンコモン 五行の循環/Circulation of five lines のんきな巫女/Easygoing Miko 五行の魔女/fivelines Witch 幻符「華想夢葛」/Illusion Sign Flower Imaginary Dream Vine 猛襲の武人/Hardattack Fighter 努力家の魔法使い/Hardworkingperson Wizard 普通の妖怪/Normal Youkai 捕食者の本能/Predatory Instinct 木符「グリーンストーム」/Wood Sign Green Storm 緑・レア 色鮮やかな門番/Colorful Gatekeeper 異変の発見/Discovery of the Accident 龍星の突撃者/Dracostar Charger 精霊を喚ぶ者/Elemental Summoner 柔軟な魔女/Flexible Witch 高まる闘気/Increasing Battleaura 西洋の東洋魔術師/Orient Magician in the West 館守の武道家/Pavilionguard Fighter 七曜の詠唱者/Sevendays Caster 多色 多色・アンコモン 妖魔夜行/Apparitions Stalk the Night 書庫の略奪者/Archive Raiders 土&金符「エメラルドメガリス」/Earth & Metal Sign Emerald Megalith 火&土符「ラーヴァクロムレク」/Fire & Earth Sign Lava Cromlech 幻幽「ジャック・ザ・ルドビレ」/Illusion Ghost Jack the Ludo Bile メイドの追い返し/Maid s Repel 金&水符「マーキュリポイズン」/Metal & Water Sign Mercury Poison エリュシオンに血の雨/Rain of Blood over Elysium 水&木符「ウォーターエルフ」/Water & Wood Sign Water Elf 木&火符「フォレストブレイズ」/Wood & Fire Sign Forest Blaze 多色・レア 狂気と破壊の申し子/Child of Dementia and Destruction 奇術師のメイド長/Conjurer Chiefmaid 永遠の従者/Eternal Meek 極彩の舞手/Fichlycolored Dancer 禁弾「スターボウブレイク」/Forbidden Barrage Starbow Break 悪魔の妹、フランドール・スカーレット/Frandle Scarlet,Devil s Siste 華人小娘、紅美鈴/Hong Meirin,Chinese Girl 魔力の暴走/Mana Burn 知識と日陰の少女、パチュリー・ノーレッジ/Patchouli Knowledge,Girl of Knowledge and Sunshade 永遠に紅い幼き月、レミリア・スカーレット/Remilia Scarlet,Juvenile Moon of Eternally Scarlet 目の掌握/Seizure of Core 徹底した封印/Thorough Seal 湖上の魔精/Water Magus アーティファクト アーティファクト・コモン 彩色の星/Chromatic Star 崩れゆく魔道書架/Collapsing Grimoireshelf 土行の精霊石/Elementstone of Earth 火行の精霊石/Elementstone of Fire 金行の精霊石/Elementstone of Metal 水行の精霊石/Elementstone of Water 木行の精霊石/Elementstone of Wood マジックミサイル/Magic Missile パスウェイジョンニードル/Persuasionneedle 光線の魔道書/Ray Grimoire アーティファクト・アンコモン 夢幻夜行絵巻/Fantasynight Picture Scroll 獄符「千本の針の山」/Hell Sign Mountain of a Thousand Needles パチュリーのリボン/Patchouli s Ribbon 血塗られたドレス/Wicked Dress アーティファクト・レア 火水木金土符「賢者の石」/Five Elements Sign Philosopher s Stone 禁弾「過去を刻む時計」/Forbidden Barrage Counter Clock 博麗の御幣/Hakurei s Gohei 霧雨の八卦炉/Kirisame s Hakkero 禁忌の魔杖、レーヴァテイン/Lavatein,Taboo Devilstaff 金符「シルバードラゴン」/Metal Sign Silver Dragon 土地 土地・コモン 鮮やかな庭園/Colorful Garden 暗闇の館/Dark Pavilion 妖精の湖/Faerie s Lake 魔茸の森/Magicmush Forest 月下の戦場/Moonlight Battlefield 神社の境内/Precincts in Shrine 土地・アンコモン ヴワル魔法図書館/Voile, the Magic Library 土地・レア 霧の中の幻想郷/Gensokyo in the Mist 悪魔の館、紅魔館/Koumakan, Devil s Pavilion
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sakuga-otaku-recommendation. You must put names of animators, comment, etc. when you write the complimentary additional information. There is a possibility that the names of persons in charge as well as Animators Dictionaries (Especially no-guaranteed cases) So I hope you will be cautious when you refer them. the nineteen-sixties- Wonder Three OP Alternative title ・Los tres espaciales (Spanish) ・The Amazing Three ・W 3 ・ワンダー3 (Japanese) 1965~1966 sakuga Yasuo Ōtsuka(大塚康生) Surprise OP that Ōtsuka who kept declining invitation from insect production had it crash while multiplying by managing director of insect production and new car of Anami thoroughly to animator of wife of Anami and Kazuko Nakamura, and Anami drew by "Then, you may draw one opening it because it is good". the nineteen-seventies- Lupin III OP Alternative title ・Cliffhanger(Spanish) ・Edgar détective cambrioleur(French) ・Le avventure di Lupin III(Italian) ・Lupin III La Prima Serie(Italian) ・Lupin the 3rd ・Lupin the Third ・Rupan Sansei(Japanese) ・ルパン三世(Japanese) 1971~1972 Key Animation Supervisor Yasuo Ōtsuka(大塚康生) sakuga Kondô Yoshifumi(近藤喜文) Tensai Bakabon OP Alternative title ・Genius Bakabon ・天才バカボン(Japanese) 1971~1972 sakuga Tsutomu Shibayama(芝山努) Dokonjo Gaeru OP Alternative title ・Frog With Guts! ・ど根性ガエル(Japanese) الضفدع ننوس(Arabic) 1972~1974 A professional s essence! Samurai Giants OP Alternative title ・El Lanzador Estrella(Spanish) ・Star Pitcher(Spanish) ・侍ジャイアンツ(Japanese) 1973~1974 Cataiwac and the OP of charisma are stories with the work of not Yasuo Ōtsuka(大塚康生) but Hideo Kawauchi(河内日出夫). Drawing of A production system can be ascertained and it can be said drawing Otaku at the previous state one , person. Alps no Shoujo Heidi OP Alternative title ・El cuento de Heidi(Spanish) ・Heidi(French) ・Heidi, Girl of the Alps ・Heidi, la bambina delle Alpi(Italian) ・Heidi, la Niña de los Alpes(Spanish) هايدي(Arabic) ・アルプスの少女ハイジ(Japanese) 1974 Character Design,Key Animation Supervisor Kotabe Yōichi(小田部羊一) Mori Yasuji(森康二) This is the guy that drew the part of Heidi and Peter going round and round on the title roll. Hayao Miyazaki(宮崎駿) Heidi swings oneself in the air. Wakusei Robo Dangard A OP Alternative title ・Dangard Ace ・Il robot planetario Danguard Ace(Italian) ・Planet Robo Dangard Ace ・Planet Robot Danguard Ace ・Planetary Robo Dangard A ・惑星ロボダンガードA(Japanese) 1977~1978 sakuga Yoshinori Kanada(金田伊功) Choudenji Machine Voltes V OP Alternative title ・Super Electromagnetic Machine Voltes V ・Super Electron Machine Voltes V ・Ultra Electromagnetic Machine Voltes V ・Voltes V ・Voltes V Evolution(Tagalog) ・Voltus V(Spanish) ・Vultus V(Italian) ・超電磁マシーン ボルテスV (Japanese) 1977~1978 sakuga Yoshinori Kanada(金田伊功) Angie Girl OP Alternative title ・Angie, détective en herbe(French) ・Annemarie(Dutch) ・Charlotte Holmes ・Her Royal Highness the Queen, Petite Ange ・Jōō Heika no Petite Ange(Japanese) ・Przgody Charlotte Holmes(Polish) ・Przygody Charlotte Holmes(Polish) ・The Casebook of Charlotte Holmes إنجيالمتحرية・ (Arabic)إنجي・(Arabic) ・女王陛下のプティアンジェ (Japanese) 1977~1978 sakuga Yoshinori Kanada(金田伊功) Conan, the Boy in Future OP Alternative title ・Conan il ragazzo del futuro(Italian) ・Conan le fils du futur(French) ・Conan, el nen del futur ・Conan, el Niño del Futuro(Spanish) ・Future Boy Conan ・Mirai Shounen Conan(Japanese) ・عدنان ولينا(Arabic) ・未来少年コナン(Japanese) 1978 director Hayao Miyazaki(宮崎駿) sakuga Yasuo Ōtsuka(大塚康生),Kondô Yoshifumi(近藤喜文) There seems to be Hayao Miyazaki s correction, too. Muteki Kojin Daitarn 3 OP Alternative title ・Daitarn 3 l Invincibile Uomo Metallico(Italian) ・Invincible Steel Man Daitarn 3 ・L imbattibile Daitarn 3(Italian) ・Steel Man Daitarn 3 ・無敵鋼人ダイターン3(Japanese) 1978~1979 sakuga Yoshinori Kanada(金田伊功) Takarajima OP Alternative title ・Die Schatzinsel(German) ・L Ile au Tresor(French) ・L isola del tesoro(Italian) ・La Isla Del Tesoro(Spanish) ・Treasure Island ・宝島(Japanese) جزيرة الكنز(Arabic) 1978~1979 Storyboard Osamu Dezaki(出崎統) sakuga Manabu Oohashi(大橋学) Daikengo OP Alternative title ・Daikengo, il guardiano dello spazio(Italian) ・Daikengo, The Guardian of Space ・Uchu Mazin Daikengo(Japanese) ・宇宙魔神ダイケンゴー(Japanese) 1978~1979 sakuga Takashi Nakamura(なかむらたかし) Toshi Gordian OP Alternative title ・Champion Gordian ・Fighter Gordian ・Gordian(French) ・闘士ゴーディアン(Japanese) 1979~1981 sakuga Takashi Nakamura(なかむらたかし) the nineteen-eighties- DAICON III OP 1981 sakuga Hideaki Anno(庵野秀明),etc It screens it in the 20th Japanese SF rally opening ceremony. This animation was produced by Toshio Okada(岡田斗司夫)and Yasuhiro Takeda(武田康廣), who were both then students of Osaka University of Arts, with the support of Hideaki Anno(庵野秀明)[he had probabry left the uni by then], Takami Akai(赤井孝美)and Hiroyuki Yamaga(山賀博之). The animation is filled with the parodies of contemporary news. Current news parody at that time is full loading to this animated cartoon over the whole volume. Ginga Senpuu Braiger OP Alternative title ・Bryger(Italian) ・Cosmo Runner ・Galactic Whirlwind Bryger ・Ginga senpo Briger(Japanese) ・銀河旋風ブライガー (Japanese) 1981~1982 sakuga Yoshinori Kanada(金田伊功) Makyou Densetsu Acrobunch OP Alternative title ・Acrobunch ・Acrobunch, la leggenda del paese magico(Italian) ・Demon Regions Legend Acrobunch ・L Empire des Cinq(French) 魔境伝説アクロバンチ(Japanese) 1982 sakuga Yoshinori Kanada(金田伊功) Mirai Keisatsu Urashiman OP Alternative title ・Future Cop Urashiman ・Future Police Urashiman ・Rock n Cop(German) ・Ryo, un ragazzo contro un impero ・Super Durand(French) ・未来警察ウラシマン(Japanese) 1983 sakuga Takashi Nakamura(なかむらたかし) Nanako SOS OP Alternative title ・Nanà Supergirl(Italian) ・Nana the Supergirl ・Supernana(French) ・ななこSOS(Japanese) 1983 genga Tsuneo Ninomiya(二宮常雄) DAICON IV OP 1983 sakuga Hideaki Anno(庵野秀明),Ichiro Itano(板野一郎),Toshihiro Hirano(平野俊弘), Narumi Kakinouchi(垣野内成美),Mahiro Meda(前田真宏),Yoshiyuki Sadahiro(貞本義行),etc It screens it in the 22th Japanese SF rally opening ceremony. It became screening in a stronger line and the system of production from the last rally, and a lot of animated cartoon fans were enchanted. Magical Angel Creamy Mami OP Alternative title ・Creamy Mami(Japanese) ・Creamy, merveilleuse Creamy(French) ・El broche encantado(Spanish) ・L incantevole Creamy(Italian) ・Mahou no Tenshi Creamy Mami(Japanese) ・魔法の天使クリィミーマミ (Japanese) 1983~1984 sakuga Yuji Moriyama(森山雄治) Kosoku Denjin Albegus OP Alternative title ・Albegas ・Arbegas(Spanish) Light-Speed Electro-God Albegus ・الشجعان الثلاثة(Arabic) ・光速電神アルベガス(Japanese) 1983~1984 sakuga Kazuhiro Ochi(越智一裕),Hajime Kamegaki(亀垣一),Osamu Nabeshima(鍋島修), Hideyuki Motohashi(本橋秀之) Aura Battle Dunbine OP Alternative title ・Holy Warrior Dunbine ・Seisenshi Dunbine(Japanese) ・聖戦士ダンバイン(Japanese) 1983~1984 sakuga Yoichi Akino(秋野洋一)[Yoshinobu Inano稲野義信] Aura Battle Dunbine ED 1983~1984 sakuga Yoshinobu Inano(稲野義信) Creative animated cartoon art that makes the best use of characteristic of motif of fairy. Work of art of supremacy. The Super Dimension Century Orguss OP Alternative title ・Cho Jiku Seiki Orguss(Japanese) ・Orguss ・Super Dimensional Century Orguss ・超時空世紀オーガス(Japanese) 1983~1984 sakuga magicbus-animation Genesis Climber Mospeada OP Alternative title ・Kiko Soseiki Mospeada(Japanese) ・Mospeada ・機甲創世記モスピーダ(Japanese) 1983~1984 sakuga Yoshinori Kanada(金田伊功) Jumping 1984 Director Screenplay Character Design Osamu Tezuka(手塚治虫) sakuga Jyunji kobayashi(小林準二) This is Osamu s Tezuka experimental, short animation. The Zagreb international animation grand prix was won in 1984. Kobayashi the semi-2 who had taken charge of drawing shortly spent the one years alone for about 2 years, and finished up about 4,000 pieces (7,000 pieces including redrawing). This work is composed only of the whole volume background animation. Cho Kosoku Galvion OP Alternative title ・Galvion ・Super High Speed Galvion ・超攻速ガルビオン(Japanese) 1984 sakuga Asao Takahashi(高橋朝雄),Tsukasa Dokite(土器手司) Galactic Patrol Lensman OP Alternative title ・Lensman - Power of the Lens 1984~1985 sakuga Koji Morimoto(森本晃司) Yume Senshi Wingman OP Alternative title ・Dream Warrior Wingman ・Wingman(French) ・夢戦士ウイングマン (Japanese) 1984~1985 sakuga Yoshinobu Inano(稲野義信) Kikou Kai Galient OP Alternative title ・Panzer World Galient ・機甲界ガリアン(Japanese) 1984~1985 sakuga Tsuneo Ninomiya(二宮常雄) Sherlock Hound OP Alternative title ・Detective Holmes ・Die Abenteuer des Sherlock Holmes(German) ・Famous Detective Holmes ・Il fiuto di Sherlock Holmes(Italian) ・Meitantei Holmes(Japanese) ・Sherlock Holmes(French) شارلوك هولمز(Arabic) ・名探偵ホームズ(Japanese) 1984~1985 Director Hayao Miyazaki(宮崎駿) key animation supervisor Kondô Yoshifumi(近藤喜文) Dancougar-Super Beast Machine God OP Alternative title ・Choujuu Kishin Dancougar(Japanese) ・Dancougar, les cadets de l espace(French) ・Dieu Bénisse Dancougar(French) ・God Bless Dancougar(Italian) ・Super Beastial Machine God Dancougar ・超獣機神ダンクーガ(Japanese) 1985 sakuga NAKAMURA PRODUCTION genga in Hirotoshi Sano(佐野浩敏) Dancougar-Super Beast Machine God OP2 1985 sakuga Hideki Tamura(田村英樹) The effect line that Hideki Tamura formed is strong. When this broadcasting, this OP was thrown only five times. Aoki Ryusei SPT Layzner OP Alternative title ・Blue Comet SPT Layzner ・Blue Meteor SPT Layzner ・Layzner ・SPT Layzner ・蒼き流星SPTレイズナー(Japanese) 1985~1986 Storyboard Toshihumi Takizawa(滝沢敏文) Animation director Takashi Imanishi(今西隆志) Key Animation Supervisor Moriyasu Taniguchi(谷口守泰) sakuga Kazuaki Mouri(毛利和昭),Toru Yoshida(吉田徹) Aoki Ryusei SPT Layzner OP2 1985~1986 Storyboard,Animation director Katsuyoshi Yatabe(谷田部勝義) Key Animation Supervisor Moriyasu Taniguchi(谷口守泰) sakuga Kazuaki Mouri(毛利和昭),Humiko Kishi(貴志夫美子) Mobile Suit Zeta Gundam OP Alternative title ・Kidou Senshi Zeta Gundam(Japanese) ・Mobile Suit Z Gundam ・Z Gundam ・Zeta Gundam ・機動戦士Zガンダム(Japanese) 1985~1986 Storyboard Yasuhiro Imagawa(今川泰宏) sakuga Yasuomi Umetsu(梅津泰臣),Shinsuke Terasawa(寺沢伸介),Hiroyuki Kitazume(北爪宏幸) ThunderCats OP Alternative title ・Cosmocats(French) ・Thundercats Los Felinos Cosmicos(Spanish) 1985~1987 Key Animation Supervisor Katsuyuki Kubo(窪詔之) sakuga Masayuki(摩砂雪) This work is collaboration with foreign countries, and it is not possible to meet so much you domestically. It is not an exaggeration to say the compilation of the height reason for the perfection and Tsc picture in the animator age. a common name kaminarineko-op Pro Golfer Saru OP Alternative title ・プロゴルファー猿(Japanese) 1985~1988 sakuga Hideyuki Motohashi(本橋秀之) Gegege no Kitarō OP Alternative title ・Spooky Kitaro ・ゲゲゲの鬼太郎(Japanese) 1985~1988 sakuga Yoshinobu Inano(稲野義信) Go-Q-Choji Ikkiman OP Alternative title ・Battle Ball ・Ricky Star(French) ・剛Q超児イッキマン(Japanese) 1986 sakuga Shinsaku Agatsuma(上妻晋作) This opening is one of the very few material to be able to know good of Mr Agatsuma. Prefectural Earth Defense Force OP Alternative title ・Kenritsu Chikyuu Boueigun(Japanese) ・県立地球防衛軍(Japanese) 1986 sakuga Hideki Tamura(田村英樹) Anmitsu Hime OP Alternative title ・Princess Anmitsu ・Sugar Princess ・あんみつ姫(Japanese) 1986 sakuga Kouji Nanke(南家こうじ) Machine Robo Revenge of Chronos OP2 Alternative title ・La Revanche des Gobots(French) ・Machine Robo Chronos no Gyakushuu(Japanese) ・マシンロボ クロノスの大逆襲(Japanese) 1986~1987 sakuga Masahito Yamashita(山下将仁) Saint Seiya OP OP2 Alternative title ・I Cavalieri dello Zodiaco(Italian) ・Il ritorno dei Cavalieri dello Zodiaco(Italian) ・Knights of the Zodiac ・Les Chevaliers du Zodiaque(French) ・Los Caballeros Del Zodiaco(Spanish) ・Mistyczny Wojownik Seiya(Polish) ・Os Cavaleiros do Zodíaco(Portuguese) ・Rycerze Zodiaku(Polish) ساينت سيا(Arabic) ・聖闘士星矢 セイントセイヤ (Japanese) 1986~1989 key animation supervisor Shingo Araki(荒木伸吾) You must feel COSMO from Araki sakuga. Zillion OP Alternative title ・Akai Kodan Zillion(Japanese) ・Red Photon Zillion ・Wojownicy Maris(Polish) ・赤い光弾 ジリオン ・赤い光弾ジリオン 歌姫夜曲(Japanese) 1987 sakuga Takashi Nakamura(なかむらたかし) genga Hiroyuki Okiura(沖浦啓之) Machine Robo Winner Battle Hackers OP Alternative title ・Machine Robo Butchigiri Battlehackers(Japanese) ・Machine Robo Winner Battle Hackers ・マシンロボ ぶっちぎりバトルハッカーズ(Japanese) 1987 character sakuga,character key animation supervisor Nobuyoshi Habara(はばらのぶよし) robot sakuga,robot key animation supervisor Hirotoshi Sano(佐野浩敏) Akio Takami(高見明男) made all ED alone.(genga) Kiko Senki Dragonar OP Alternative title ・Dragonar ・Metal Armor Dragonar ・機甲戦記ドラグナー (Japanese) 1987~1988 Storyboard,Animation director Toshihumi Takizawa(滝沢敏文) sakuga Masami Obari(大張正己)
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ウリピヴ=ワラ=ラノ=アチン語 |Austronesian languages|Malayo-Polynesian languages|Central-Eastern Malayo-Polynesian languages|Eastern Malayo-Polynesian languages|Oceanic languages|Central-Eastern Oceanic languages|Remote Oceanic languages| 言語類型 現用言語 使用文字 ラテン文字【Latn?】 type living language writing system Latin alphabet ISO 639-3 【upv】 言語名別称 alternate names Northeast Malakula 方言名 dialect names Atchin (Nale) Uripiv Wala-Rano 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia